The Culture of Africa encompasses and includes all cultures which were ever in the continent of Africa.

The main split is between North Africa (plus the Horn of Africa), which is part of the Islamic world, and Sub-Saharan Africa, which is in turn divided into a great number of ethnic and tribal cultures. The main ethno-linguistic divisions are Afro-Asiatic (North Africa, Chad, Horn of Africa), Niger-Congo (mostly Bantu) in most of Sub-Saharan Africa, Niger-Saharan in parts of the Sahara and the Sahel and parts of Eastern Africa, and Khoisan (indigenous minorities of Southern Africa).

The notion of a "Pan-African" culture was discussed in seriousness in the 1960s and 1970s in the context of the Négritude movement, but has fallen out of fashion in African studies. The wide distribution of Bantu peoples across Sub-Saharan Africa, encompassing parts of Western Africa, Eastern Africa, Central Africa as well as Southern Africa is a result of the Bantu expansions of the 1st millennium AD. The wide use of Swahili as a lingua franca further establishes the Bantu peoples as a nearly "Pan-African" cultural influence.

Africa has a rich tradition of arts and crafts. African arts and crafts find expression in a variety of woodcarvings, brass and leather art works. African arts and crafts also include sculpture, paintings, pottery, ceremonial and religious headgear and dress.

In most of traditional art and craft of Africa, certain themes significant to African culture recur, including a couple, a woman with a child, a male with a weapon or animal, and an outsider or a stranger. Couples may represent ancestors, community founder, married couple or twins. The couple theme rarely exhibit intimacy of men and women. The mother with the child or children reveals intense desire of the African women to have children. The theme is also representative of mother earth and the people as her children. The man with the weapon or animal theme symbolizes honor and power. A stranger may be from some other tribe or someone from a different country, and relatively more distorted portrayal of the stranger indicates proportionately greater gap from the stranger.